In this tutorial, I share with you the basic smartphone video rig and apps I use to capture DSLR style video easily and inexpensively.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
In this tutorial, I share with you the basic smartphone video rig and apps I use to capture DSLR style video easily and inexpensively.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
More and more I am filming content on my smartphone and I am digging it. Let me start off by saying I am old enough to have been creating content before there were video cameras and desktop editing options. I am also young enough to have been an early adopter of that technology. When I started creating videos over 10 years ago all the working film people would give us video creators a hard time. Saying it’s less than, a toy and not legitimate. Well now that is no longer true and it was well worth my time to go on the journey. Recently hearing about phone filming technologies I scoffed at them. Then I had an uncomfortable realization. I was treating the idea of shooting video on the phone the same way the film people scoffed at video in my early days. I quickly started to learn about the new technologies this is what I found.
To start you want to beef up your camera app and get a sound recording app. The two camera apps that I have been using are Filmic Pro at $14.99 and Movie Pro at $5.99. Right now for me, Filmic Pro is in the lead also the Film Riot Show did a great review tutorial on Filmic Pro here. For audio I have been using one app I’m very happy with called the Apogee Meta Recorder at $4.99. For a single person shooting I have been using a simple inexpensive phone lav, you can get ones like this on Amazon for $20.00. If you are shooting a scene with multiple people you can use a shotgun, Rhode has many phone friendly options.
For stabilization and framing there are many options as well. On a basic level I use a simple tripod phone mount and a basic flexible gorilla tripod. Here is a best of list. Recently I purchased a handheld rig from iographer for around $60.00.
Last I will say I have worked professionally as a video editor and when I import video captured on the phone into the editing program I am hard pressed to find any reasons for not capturing video images on the phone. All the gear to make a legitimate attempt at filming with your phone is under $100.00. That to me is amazing. I would highly recommend you explore the possibilities of shooting a short film or web series idea you’ve been kicking around as soon as possible. With gear under $100.00, it will only cost your time.
To put my money where mouth is so to speak, on my youtube “How To” channel I am doing a series called “How To Make A Sci-Fi Short Film” So far all the episodes are shot on the phone and the short that I will be making at the end of the series will be shot on the smartphone.
I hope you found this simple hack useful. For more tips and shared experience visit and subscribe to my above-mentioned youtube channel Create Sci-Fi with plenty of informative videos on creating content.
I wanted to talk a bit about the idea of shooting video content on a smartphone. I am old enough to have been creating content before there were video cameras and desktop editing options. I am also young enough to have been an early adopter of that technology. A funny thing happened to me recently that made me think about that.
When I first started shooting video in the early days, fueled by Dogme 95, I was making Mumblecore films before that name existed. Shooting video was liberating. My experience with filmmaking had been shooting music videos on Super 16 as a job. The group I was involved with would make sure to do what was known as a weekend rental. We’d shoot the band on Friday with the equipment rented on the budget provided by the record company. Because the rental houses were closed on the weekend we would have the equipment over the weekend so we could make our personal films as long as we bought our own filmstock and had the rental back by Monday. We’d piggyback all the laborious tasks and expenses on the back of the music video budget. I remember lighting a set for hours and never really knowing if the shots were any good until almost a week later. Editing was an event. We’d rent a suite with an operator, they would provide lunch and we’d sit on a huge couch in the back of a room while an editor operated a console that looked like it belonged on the Starship Enterprise.
Then very shortly in my foray into filmmaking, these digital cameras started showing up, the Sony VX2000 and the Cannon XL1. I worked at a production house that had one coveted AVID editing system. I was low man on the pole but they were kind enough to let me edit my own projects. The catch was, I had to come in after midnight. One day they said, we just got this new thing is called, Final Cut. It was Apple’s Final Cut, version one in fact. You can use that if you want, they said. Cue Hallelujah music and sound effects. Between the new cameras and desktop editing, I was off on an adventure, one I continue to this day.
It was a rough time back then. People were very divided on the subject of film versus video. Mostly the established working people would tell you video would never look like film and how it’s not the same, and less than. And all the unestablished hard working people trying to get ahead would say, content is king and I am a storyteller and every six months the technology would get better and better. It was an exciting time. I imagine it was what it was like for kids hearing punk rock music for the first time and thinking, I can do this and starting bands with their friends.
My long journey and commitment paid off when the DSLR cameras appeared. It all worked out fine, I could proceed to tell my stories and not have anyone undermine them because of the filmic quality. I get a warm and fuzzy feeling just thinking about the DSLR. Remember the tsunami of over-cranked footage, it was so beautiful we could not get enough. Then the slider, ah perfection. And now the drone shots … a dream come true.
What is my point you might be asking yourself? Recently I have been hearing about festival films shot on a smartphone. Reading about 4K resolution recording with a phone. Giant Billboards touting, shot with the phone. My knee-jerk reaction was, why on earth would you want to make a film on your phone? It’s a phone! I remember the yellow plastic phone on the kitchen wall with a 10-foot cord. The Motorola bricks, the Razor! Shoot a film on your phone ?!?! Ah ha! There’s the rub, I realized I was reacting just like the film veterans were reacting to me and my video punk friends back in the day. Actually, I realized that after I shot a bunch of footage on my phone that looked great.
I was somewhere with an unexpected opportunity to shoot some footage and I had no camera. I used my phone out of necessity. Once I got home and saw the results I immediately adopted it into my workflow. I did some research and downloaded a camera app that was a bit beefier than the stock one on my phone. Did some more research an purchased an audio recording app for another five bucks. And I have to say, it works quite well. I am now planning to shoot my next short film with my camera.
The last thing I’ll say is I intentionally wanted to not make this a technical comparison. However, I edit video for a living and without going into boring detail, in laymen’s terms, the video looked and sounded just fine. And for a ten dollar investment? I’d upgrade that comment to, it looked and sounded amazing.
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In this tutorial, I take you through the build process step by step. I show you how to make a screen ready sci-fi goggle prop from a few Dollar Store items.
Be sure to watch my video channel for more Sci Fi filmmaking giddy-up.