Casting A Minor Celebrity Will Increase Interest In Your Short Film Or Web Series

One great way to elevate the status of your web series is to cast a known actor who has been off the radar. In film, Quentin Tarantino is the master of this. With our modest web series production budgets, we can scale this practice down. For example, if your web series is sci-fi you would try and cast a memorable day player who was in several episodes of the TV series Star Trek: Enterprise (2001–2005). If you are making a comedy perhaps you look for a lead actor from an 80’s TV show that you’ve not seen show up in anything in a while. Making a Thriller? Find that actor from that memorable X-Files episode, you get the idea. My colleagues and I are always trying to think of actors for our projects that people know, but don’t know they know, until you remind them. If your script and concept are solid and you are organized and persistent, you can land one of these actors for your show.

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Some examples of would be Beverly Owen (later re-placed by Pat Priest) as the teenage niece on, “The Munsters”. Shelley Hack and Tanya Roberts who both replaced the Kate Jackson character in the original, “Charlie’s Angeles”. Jenilee Harrison and Priscilla Barnes who both replaced Suzanne Somers character in the 70’s & early 80’s TV Show,” Three’s Company”.

Some people may be skeptical but when you have invested all of your time and energy into a project you want to make sure you’ve done everything to ensure the success of your show. Securing an actor that resonates in the pop culture zeitgeist can go a long way in stimulating interest in your project. Consider casting a recognizable actor in a minor role as the Mom or Dad, the Boss, the Quirky Neighbor, the Spaceship Captain… I could go on.

Here is the Hack. Consider this type of an actor for a supporting role in which you can shoot their appearances across your entire season in one day. Once you have an actor in mind you need to consult IMDB Pro to learn who represents them. If they list an agent and manager the manager is preferable as they tend to have a more personal relationship with their clients. If it’s just an agent then use the agent.

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Proof Of Concept: The Galactic Galaxy Production Diaries

This week I want to talk about the proof of concept short I made for My web series Galactic Galaxy. Once I decided on the unique “tooned” look of the series I knew I had to figure out the ins and outs of how exactly it was going to work? I went through the original script and selected three scenes that showcased the most characters and major locations. The thought is this way I can get a very good idea of how to make this work and what it was going to look like.

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On a very basic level in my apartment, I did a super basic, very rough test of the skull warrior. I shot very rough poorly lit footage. A worst case example if you will. I did a test of the process I planned to use and for a test, it looked pretty decent. I was relieved, this could work. From this, I was motivated and excited.

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I went to work and did a casting for the scene and was planning on just doing it quickly and inexpensively as a test. Well, the good news was I did, in fact, figure out how the process would work and that in fact, it would work. However, that test footage took one year to finish. It was so exciting but so much to work out. But once I had the systems in place and the kinks ironed out it went much quicker with the web series. Still took one year but that was for six times more content.

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As an afterthought, I filmed the Queen character doing a monologue I wrote to give some exposition to the random scenes so I could show it at festivals as a short film, and use it for promotional material. I was fortunate enough to get into the Dances With Films Festival which resulted in a Screening at the Historic Manns Chinese Theatre which was both exciting and motivating. the short also won a silver medal at The Stann Lee Comic Con. Not bad for a proof of concept film with no plot.

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Motivated by the interest shown in the proof of concept film, I was more excited than ever to get to work on the series.  A valuable function of that was early short film was I knew the original script was not going to work and some of the characters while wonderfully acted were not working quite right within the story. Also as I mentioned I love the process and I was looking forward to refining my vision. From the short, it was clear I would have to go back to the drawing board and start the dreaded … rewrite.
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6 key Ingredients You Can Use To Increase Your Storytelling Creativity In Sci-Fi DIY Filmmaking

If you are a DIY content creator, like me and love sci-fi and fantasy, like me, the most rewarding and daunting part is the world building and creation. Here I will share with you six key components to consider in order to bring your vision to life, and how to approach them. I am always working on a tight budget so these ideas are as thrifty as possible. If you go down the fandom rabbit holes for sci-fi on social media and video sharing sites you will quickly realize there are plenty of people waiting to view any new content. All the more reason to get started on putting your vision out there for them.

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  • Multicultural Cast And A Droid

One of the greatest attributes of the sci-fi story is the multicultural cast. Make sure as many races as possible are represented and mixed. One simple and very effective adjustment that works well is switching up gender cliche. In my series Galactic Galaxy, the swashbuckling rogue character is played by a woman. A female captain or warrior always adds nicely to sci-fi. Also, a droid or alien sidekick always rounds things out well. Depending on budget you can go as simple as a basic brow or ear prosthetic. Even inhuman looking contact lenses can do the trick. If you have the budget a Droid can be as easy as a puppet, a person in a costume or a 3D element added later.

  • Going To Need A Bigger Ship

If your story takes place entirely or partially on a starship you need to think of it as another part of the cast. First, determine the character of the ship, is it old, new, fast, slow, loved or hated? Then you need to name and design her. In Galactic Galaxy, our main ship is “The Granny” and the ID numbers on the exterior are GR4NN3. The ship’s computer voice is characterized as an older nagging mother. The point is to have fun and go deep. For the exterior, you can go as simple as a repurposed space ship toy or model filmed against a black background or green screen. Or some basic motion effects with a 3D ship. You can find free 3D space ships online pretty easily. Whether your ship is built practicality or in the computer I recommend kitbashing. That is the process of taking multiple models and mixing them together to make a new one. This works with actual physical models and toys as well as 3D models

  • On Deck Or In The Cockpit

Once your ship has a personality you are going to have to create the deck, or if it’s a smaller cast perhaps a cock pit. Is it pristine or junk? Maybe you plan to shoot on green screen and add the Deck later. A few words on that. If you shoot on green screen planning to add sets later and are on a tight budget keep in mind it never looks very good. It will undermine your intentions. If your sci-fi is humorous then it could actually work in your favor. Simple screen elements are great and add production value. Green panels that will later be windows to space or computer screens can work nicely. For practical sets basic white or brushed metallic wall panels in an octagon configuration interestingly lit with a few green panels to add elements into later will work nicely. Also, the cluttered set made of old computer parts, holiday lights, hardware store bits and bobs is a tried and true option. Just be sure to have a light touch. Less is more.

  • Communication Devices

The hologram communication never gets old. It is a great visual that’s very straightforward to accomplish and it adds scope. You can talk to other planets, alien races, and exotic locations simply and easily. Including a character on a distant planet is a lot simpler when it’s only a head on a video screen. In addition adding another character to flesh out your world will be very easy to costume and shoot. Just lock of the camera and do as many takes as you need. Much like your ship deck considerations, your video communications can be pristine or interference plagued scan lines. Your hologram can be a thing of beauty or a glitchy scratchy element. Don’t overlook their value in moving the story along in an economic fashion.

  • On The Ground

On a Budget, there are a really only a few options in my mind. My personal favorite is the desert. A forest or rock quarry can work. Basically, you should pick a landscape you can frame as pristine and expansive. Alternatively, there is the post apocalypse approach. If you’re in a city find abandoned sites you can get access to. Dilapidated factories seem to be in abundance these days. Use what is around you.  If you’re out in the country a forest or rock quarry can do the trick. And if you’re by a desert, go desert. Beach could work. Whatever you choose, try and do some wide establishing shots on a tripod. With locked off shots from a tripod, it is much easier to add a second moon or fly some ships by over head. Also, know that if you have a big blue sky in your location it is fairly easy to change the blue to another unearthly color.

  • What Was That?

In some cases, you are going to want a  creature. A gigantic 3D creature is always nice. Similar to the robot, a costume could work or a forced perspective puppet. A shadowy implied creature lurking in the shadows will work best on a budget. After a build up you can finally reveal the creature in a burst with some quick cutting. As with the ship if your show is humorous then you can get away with a lot more. Rubber masks and body paint will be fine. If you are going for realism try and keep to the shadows and build tension with your cuts in post.

These are just a few things to think about to get the creative juices flowing. Creating sci-fi has been the most rewarding creative experience in my whole career. For me, I started out making contemporary dramas. I didn’t imagine I could pull off sci-fi on my restricted budgets. But now I know better. Because I wished I’d started sooner I am very passionate about sharing all I’ve learned with you. Keep in mind it’s all hard to pull off so it might as well be what you really want to do, not what you think is practical. Create your worlds and share them, otherwise, they will be lost forever. That would be a shame.

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