From Trash To Blast! How To Make A Sci-Fi Recycle Bin Laser Blaster Gun

Any good Sci-Fi project is going to need a Blaster, Laser Gun, Ray Gun, Photon Rifle, the list goes on. There are many ways to go about making these weapons for your sci-fi arsenal be it for a film, a cosplay or simply for display. In this article, I want to share with you an inexpensive and fun solution. I’ve come across a lot of craft builds with recycled plastic bottles lately and I thought hey, I have an overflowing recycle bin with a  bunch of material for some Blaster building so I figured I’d give it a try. Here I’m going to share with you what I came up with.

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First I dug into my recycle bin and found some bottles that were interesting and got out some tools.

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I roughly arranged some silhouettes for my recycle bin blaster and this was the winner.

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I start by cutting the bottom off of the water bottle.

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I merge it with a ridged chip container.

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I cut off the top of a cleaning bottle to make a hand grip. I saw that in some online video and it stuck in my head, it’s very clever and works nicely. I hot glue these parts together.

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What I learn here is that the hot glue melts this plastic bottle that is my barrel which was not what I wanted. I had to cut off the damaged excess and I decided to take this opportunity to add some more dimensions. I added a hand soap bottle as a collar that I slid over the damaged area and that cleaned it up and looked good. A happy accident as they say.

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Then I add the trigger. I simply repurposed the trigger from the cleaning bottle. To make it fit I rough out a hole in the handle with a Dremel tool to pressure fit this trigger in the handle. You could also cut a hole with an Exacto blade. It is not a practical trigger so I just secure it in place with glue.

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Next up is a spent deodorant bottle added to the top as some sort of scope. Also, I add the ball from the deodorant model to the bottom of the handle and this interesting sports bottle cap finishes off the profile nicely.

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Everything gets a light sanding so it will better accept the paint.I base coat it with a flat black primer and just dusted it a little bronze over that.

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Painting is done with a dry brush technique. Using a metallic paint with a very light amount on the brush that is further lightened by brushing onto a paper towel. The paint is applied by just lightly brushing the surface and a brushed metallic look is achieved. To add some dimensionality I add some gold metallic by extra lightly brushing the high points and that gives it a nice glow. The final touch is introducing sparse green metallic highlights in places that might be buttons or decorative just to give it a little more life.

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To make the Blaster look real and to give it some character a weathering pass is needed. That is simply some watered down brown and black paint that is washed over the entire piece. It is then quickly wiped off with a paper towel.  The dark wash remains in the low points, cracks and crevices, this gives it the illusion of being an actual object.

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Who knew space blaster hiding out right in my recycling bin! Now if I was doing a sci-fi project and I wanted to suspend your disbelief make you believe it was a real future or a parallel universe I probably wouldn’t use this prop Blaster. However, if I was doing a sci-fi fantasy like a Barbarella or a comedy this is exactly what I would use.

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How To Make A Sci-Fi Short Film: Step 2 Concept Art, With & Without Drawing & Photoshop

In this tutorial on Create Sci-Fi, I share my techniques for creating concept art and simple style guides to help share your vision with potential collaborators. This is the second video of the How to make a Sci-Fi short film series. Make sure to subscribe to follow along.

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How To Make A Sci-Fi Short Film: Step 1 The Script, A No Frills DIY Script Writing Approach

In this tutorial on Create Sci-Fi, I share my no frills, basic approach to writing a script. This is the first video of the How to make a Sci-Fi short film series. Make sure to subscribe to follow along.

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From Trash To Blast! How To Make A Sci-Fi Recycle Bin Laser Blaster Gun Video

In this tutorial, I take you through the build process step by step. I show you how to make a screen ready Sci-Fi Blaster Gun from recycled plastic bottles.

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How To Make Sci-Fi Goggles: DIY Dollar Store Mash Up Video

In this tutorial, I take you through the build process step by step. I show you how to make a screen ready sci-fi goggle prop from a few Dollar Store items.

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How To Make A Sci-Fi Rogue Assassin’s Blade: DIY Dollar Store Mash Up Video

In this tutorial, I take you through the build process step by step. I show you how to make a screen ready sci-fi Assassin Blade prop from a few Dollar Store items.

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SEVEN COMMON MISTAKES TO AVOID WHEN MAKING YOUR FIRST DIY LOW BUDGET FILM OR WEB SERIES

You are ready to dive in good for you. Let us take a moment and make sure you have all your ducks in a row. Or at least these seven ducks. Remember it is a creative process and making mistakes and learning from them is how you evolve as a filmmaker, or as a person more importantly. But there are some very common mistakes that many of us have made when starting out and there is no reason at all that you should repeat them. The following seven you could treat as a checklist.

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• WEAK STORY

When starting out one of the most daunting tasks is actually writing the script. It’s like climbing a mountain and when you get to the top and look down and catch your breath, the feeling is Euphoric. You cannot stop there. You need to go through several more revisions before you start shooting. Organize readings of the script, record them and listen back. Do not be a part of the readings just observe, it will become painfully obvious what is working and what is not. Do not be afraid to go back in and rearrange and delete. Trim the Fat. Once you have your beginning, middle, and end maybe you delete the beginning and start from the middle. Or go backward. Start late and end early is some good advice I was given.

• NO MOVEMENT

Walking and talking. More often than not in a script, two characters are talking and moving the story along or developing character by sitting down and talking. They are at a restaurant, coffee shop or sitting on a couch or in an apartment. Get those shots moving. Instead or two characters talking in the coffee shop film them walking and talking on their way to the coffee shop. If two women are sitting on a couch talking and one is trying to cheer up the other. Move them off the couch and into the bedroom where one is trying on clothes and the other is adjusting collars and buttoning buttons as they speak. Do you get the idea?

• BAD CASTING

You can use your friends and family but that rarely works out well. There are plenty of actors out there and you should always do a proper casting. If you live in a major city it’s not a problem, put out a notice, arrange a room and have someone help you run the auditions. Record everyone, on your phone, is fine. With low or no pay you will most likely need to see a lot of people one out of twenty that you would even consider is normal. That number might even be higher. It is part of the process. If you live in a more remote area, find a local community theatre or a school drama program and approach those actors. The process of casting also helps with mistake number one “weak story” you will hear your words over and over in ways you didn’t even imagine. Most will make you cringe but some light a fire.

• POOR SOUND QUALITY

You imagine your story in your mind’s eye but what do you hear? Most likely you did not.  When shooting if the director of photography does not shoot what you imagined you can correct that simply by communicating what you had imagined seeing. While your face is glued to the monitor make sure you have headphones on and are hearing the sound that is being recorded. Or better yet have a designated sound person. Bad sound can sink an entire production. It is essential the actors can be heard clearly with no interfering sounds. Record dialogue with an external microphone, not the built-in camera mic. If you do not have the budget or manpower make sure you have a quality shotgun mic attached to your camera. The best option is a dedicated sound recordist who is booming the actors and using lavs. Try and avoid noisy outdoor locations and no matter how perfect a take is if a plane flies over or firetruck races by you must reshoot. When inside all air conditioners and buzzing appliances must be turned off. And last if it’s a party scene in the background record it with no music and the background people pretending to talk. Sound effects and music can be added later.

• LOW LIGHTING

Much like sound, a dedicated person is ideal but most likely you’ll be relying on your cinematographer in a low budget scenario. So try and get that person help. Just a volunteer to help them move lights around so they can monitor the camera. And speaking of lights moving around, you are going to need lights. Unless your entire project takes place outdoors in the daytime, which is not a bad idea, by the way. Many cameras now can handle low light but the cost is a grainy, muddy image. Which is fine if that’s your aesthetic but it will not play well if the rest of your project is a solid well-lit resolution. If you are on your own take the time to learn what the light meters in the camera are telling you. To keep it simple, shoot some test shots of your location and play them back on a monitor. If it is too dark… increase your light.  These days it is better to shoot well lit with a neutral even lighting and add shadows and hues in post.

• UNLICENSED MUSIC

This one might be obvious to you but it is surprising how many people just use popular music in their projects. if you are making a film to never post online or show in a festival that you plan to just show in the basement to your parents you can go ahead and score your film with your favorite Jay Z tracks. But if that is not the case you need to have the rights to the music you use. There are many options and some are free. You can have someone create original music for you. If that is not an option there are many basic loop programs now where you can create your own music. There are affordable options, if you search Royalty Free Music you can find plenty of sites that offer tracks for around twenty dollars. It is tempting to use a powerful beloved track of music to add weight to a moment but, don’t do it.

• WHITE WALLS

So many low budget or first-time productions take place in someone involved in the productions apartment. And there are white walls everywhere. It is just uninteresting and looks bad. It communicates nothing. Every frame of your production should be moving the story forward. Big white walls tell the viewer nothing. The only thing worse than white walls are those giant eastern tapestries or large colored scarves that are hung on the wall to hide said white walls. Do some production design. Paint the walls a color, hang some art that is suggestive. Find a location with a hoarder quality. Lots of shelves and nooks and crannies filled with stuff is always good. But don’t try and recreate that, on a budget, it never works. Find a location that’s already cluttered. Minimal works too. A solid colored wall says a lot more than a white apartment wall.

I did not mention cinematography because while it is paramount when shooting, all your attention will be on the monitor. If a shot is not working visually it will be hard for you to move past that, and hopefully, you will correct it. But if the sound is not being monitored or your actors are blowing it in front of the ugly poorly lit white walls, you could have avoided that.  As I mentioned at the start you learn by doing but, these are seven things that a lot of us learned the hard way and there is certainly no reason at all for you to repeat them.

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They Say, Dollar Store. We Say, Sci-Fi Prop Store !!

In this video, I look at inexpensive solutions to creating props for sci-fi through my process of discovery at the dollar store.

 

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You Would Never Dare Dream That You Could Write You First Short Film Tonight And Make It Tomorrow, But You Can.

Most likely you’re here because you’ve never made a film but are thinking about it, circling the idea, waiting for your moment. Or maybe you had a false start and the first time didn’t go so well. Don’t worry I am going to help you. The following is just a very basic exercise to get you started down your path of making an original video. The great news is all that time spent on your phone staring at the screen exercising you thumb eye coordination is about to pay off. And there is no bad news.

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I imagine as a first-time filmmaker you will be way more comfortable shooting video on your phone rather than a DSLR camera. When it comes time to edit I think moving things around on your phone will be far less intimidating than sitting in front of your computers newly installed editing software with no idea what button to push to even launch it. For this exercise, it’s best to just stick with the phone.

Of course, there is the need for a script. Gasp. Just whip up something compelling, humorous, thought provoking and entertaining. I’m sure some of you can do that but most of us can’t. Not for a lack of desire and drive. Most of us need to be taught how to write and through hard work and dedication get good at it. But in the meantime, we need to just get started. Action begets action! Let’s not worry about writing an award winner, let’s concentrate on getting something on paper or more realistically in your phones note program, might as well. It’s like texting to imaginary friends about made up stuff. Almost like real life. I will say again the goal is to just make something, get the ball rolling. Let’s do this right now.

No use in avoiding it, get to work on the script. Keep it simple our goal is 2-3 mins of content.  Think one location and two actors. First, we create a  title and a log line. If you were sitting down to write a series or a movie you would not start like this, maybe you would but this will work well for what we are going to accomplish in this exercise. Having said that, here’s a quick example. This is the log line for Steven Spielberg’s ‘Jaws’: A land lubber sheriff tries to kill a giant shark to protect his family and seaside resort town.

Let’s do ours quickly,  first thing that comes to mind. There are no wrong answers.

Film Title 


Once you got that let’s answer these questions and write a logline.

NAME


We’ll call him/her the Hero

GENDER


FUNCTION


What’s the Hero’s FUNCTION? eg. long distance runner, artist, father etc.

FLAW


Does the Hero have a FLAW? What is it? eg. an arrogant, a lazy, a macho, an insecure etc.

INCITING INCIDENT


What is the story’s first major event, the INCITING INCIDENT eg. falls in love, is fired etc.

GOAL


What is the Hero’s visible GOAL? eg. to win the race, to catch the killer, etc.

NEED


What is the Hero’s NEED? eg. to connect, to stand up for herself etc.

Don’t overthink it, the goal is to make a film to get your dream career rolling. Action begets action, right?  Keep in mind you have no budget so a pilot crash landing in the Himalayas is not going to work for this. Here is an example from this worksheet. Title: “ Poison The Tap Dancer Upstairs” Marge Mayhem an emo horror writer plots to poison her upstairs neighbor, an aspiring tap dancer Teddy so she can write in silence and finish her book. You get the idea. If you’re totally stuck remember the exercise is to just get out there and make something. If you want to be adventurous just use a random title generator  &  a logline generator . Using that method I just randomly generated “Helping McGee” A funny athlete and a gay robot builder travel through time. I’d watch that.

We are just gearing up to make a short with just the title and logline alone you should come up with 2 mins of dialogue. And if that too has you paralyzed with fear just make it with minimal dialogue, not a silent film where nobody talks have natural sounds and a few one liners. With both those examples , can imagine that. And I’d recommend that. For example in “ Poison The Tap Dancer” We see Marge typing, chunks of ceiling fall on her computer she looks up, she says,”humph” we cut to Ted tap dancing around the apartment in pure bliss. You get the idea. May seem silly but just enjoy the act creating something, don’t judge. Its an exercise in getting you started – today.

This next step is important, make sure your phone is charging while you are working on the script. You’ll need it for the next two crucial steps. Step one call a few friends and tell them they are coming over to be in your movie. Or maybe you are going to their house, apartment, roof, yard or basement because it is a better location. Explain to them it is  just an exercise and that they will have fun and you are buying pizza. Also I’m sure you have funny, smart friends but just in case they can’t act all the more reason to keep the dialogue minimal. Next and most important is your phone’s camera that you will upgrade the recorder and the editing app you will add. Most camera phones actually shoot pretty decent video, terrible audio but the picture is great. All the more reason to consider a minimal dialogue approach. I think that’s three reasons if you’re counting.

When shooting your first short we can take a very simple but effective approach to make sure you capture all the video you need to tell your story. For each one of your scenes shoot the entire scene in a wide shot, repeat the scene again in a medium shot and finish with a close up or close ups on your main characters. Shoot all the way through to the end,  if something minor goes wrong keep going. Some moments may be useful. Even if they are just listening and not speaking record the entire scene with the listening subject in close up. Last pick up inserts, fingers typing, feet walking or running a confused dog perhaps. From our friends at wikipedia. A Wide Shot, typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings.  A Medium Shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance. I’m sure a close up needs no explanation. The reason for that type of coverage is that it is safe. For the actors it allows them to redo lines and you can cut between their best moments from other takes. For the director it gives you many options to tell your story. A film is written three times. First when you write it, second when you shoot it and third when you edit it.

Once you have your footage you need to edit it and yes we will do that on your phone to. One great thing is you don’t have to worry about transferring your video to a computer just do it all on your phone.  There are quite a few options, Magisto (iOS and Android) , Adobe Premiere Clip (iOS and Android) , Apple iMovie (iOS) &  GoPro Splice (iOS)  I’m sure there are others but these are the ones that appear most in searches on the topic. Read up and see which ones suit you and your phone. As I mentioned earlier you should  beef up your camera app whether it’s Android or iPhone . I’m sure you will struggle a bit to get up and running but that’s part of the process.

Just keep Going. Upload your video to your social media get input from your friends and start planning your next project, I promise you with each one you will get better. Maybe you nailed it this time in which case with your next video you will get, more better. Finally as we both well know by now, action begets action.

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