In this tutorial, I take you through a kitbashing build process step by step. I show you how to make a practical spaceship from $5 worth of dollar store toys. In a future episode, we will actually use this ship on a green screen to shoot a practical fly by in space.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
In this tutorial, I take you through a mash-up build process step by step. I show you how to make a screen ready sci-fi prop blaster for $3 from two dollar store toy water guns and a hand saw. And I go over weathering techniques to give the blaster that real-world feel.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
In this tutorial, I take you through my process of sourcing everyday objects to convert into sci-fi props in order to save time and money.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
In this tutorial, I walk you through my sci-fi gun prop build process step by step by using simple tools, glue, and EVA Foam. I show you how to make a unique screen ready prop sci-fi gun inexpensively and easily.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
In this tutorial, I take you through my easy sci-fi trooper armor costume/prop build process step by step using simple techniques and tools. I show you how to make a unique screen ready sci-fi trooper armor inexpensively.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up
In this tutorial, I take you through my easy sci-fi trooper helmet costume/prop build process step by step using simple techniques and tools. I show you how to make a unique screen ready sci-fi trooper helmet inexpensively.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
In this tutorial, I take you through the build process step by step. With a few items from a dollar store, I show you how to make a screen ready sci-fi prop staff weapon for under $10.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
In this tutorial, I take you through my sci-fi gun prop build process step by step by using dollar store items and EVA Foam. I show you how to make a unique screen ready prop sci-fi gun inexpensively.
Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.
You spend months thinking about and prepping your project during pre-production period. You wrote the project or created it. You have a handle on it or are steering the ship. Momentum is building. You survive the shoot and now you enter the post-production phase. You have a years worth of blood, sweat, and tears on a hard drive. You need to find an editor
You look at some editing reels and the editor you think is perfect is $650 a day your total budget for the edit is $500. You talk to several editors to try and get them excited about your project in the hopes they will join the team. I am going to stop right here. Put yourself in the editor’s shoes, you want them to edit for little or no money and to start off that relationship you’re going to hand them a hard drive with three terabytes of raw footage that contains a bunch of folders that say, Card 01, Card 02 and contains numerically labeled shots. That is hardly enticing, in fact, its a deterrent.
Here is a simple way to get an Editor excited about working on your project. You want them to be able to dive right in. You are going to prep the drive. First, create a series of folders. The main folder will be the project name, the title of the work. Within that folder create subfolders. Number them as follows: 01_project, 02_Media, 03_Music, 04_Audio, 05_GFX, 06_Docs, 07_Stills, 08_Assets, 09_Exports.
Now move all your media into the 02_Media folder. If you record audio separately move that into the 04_Audio folder. Add a copy of the script into the 06_Docs folder. If you have storyboards put a copy there. If you have ideas for music put those in the 03 Music Folder.
This next step is what will really help you entice an editor to start on the project. Set up the project in the editing software and make selects. Most likely you will be using Final Cut, AVID or Adobe Premiere. As of now, the most predominant DIY platform is Adobe Premiere Pro CC. If you don’t own it you can get started for under $20 a month. Whichever platform you choose the steps are the same and very similar to the project folder structure. In your chosen editing platform create a new project. In the project create a series of folders. 01_ Sequence, 02_Media, 03_Music, 04_Audio, 05_GFX, 06_SFX, 07_Titles, 08_Misc. Next, import your footage into the project. Media into the media folder, Audio into the audio folder, etc.
This next step will really go a long way. Create a New Sequence in your project and call it selects. Start to watch all your raw footage and “select” your preferred takes and pull them into the timeline. Perhaps you like two, just pull them both. Creating a sequence and making selects is very simple. If your not comfortable or familiar with the editing platform at all a few google searches will guide you through this basic process.
Alternatively, if that seems too involved or beyond your time or abilities. At the very least Set up the drive with the folders and create a paper edit. Create a document and assign a brief description of each Footage Card and Contents. Then Do a paper edit. Watch the footage in a viewer such as Quick-Time. Make your selects that way. Create a new document, split the page into two columns. On the left will be the script, On the right will be your notes and your ‘Selects” If the script says, ‘Mary Enters, speaks to Bill. Mary: Hi Bill!” That will be in the left column in the right will be the shot into something like Mary Enters Card02, IMG-0190.mp4 at 03:04. And just map the whole script out with your selects.
The point of all this is to present the editor with a project they can jump right into. If you present an editor with a low rate and terabytes of raw footage they will politely pass. If you talk to an editor excited about the possibilities of the project with specific examples from media you’ve already organized and prepped you have a reasonable chance to get them just as excited about being a part of something. If you don’t have the money to invest you simply need to invest your time. Sharing the time investment with the editor rather than laying it all on them will encourage talented people to join you. Last I should mention be sure to make a backup of the drive and its contents and store that away safely.
For more tips and shared experience visit our youtube channel Create Sci-Fi with plenty of informative videos on creating content.
Most likely you’re here because you’ve never made a film but are thinking about it, circling the idea, waiting for your moment. Or maybe you had a false start and the first time didn’t go so well. Don’t worry I am going to help you. The following is just a very basic exercise to get you started down your path of making an original video. The great news is all that time spent on your phone staring at the screen exercising you thumb eye coordination is about to pay off. And there is no bad news.
I imagine as a first-time filmmaker you will be way more comfortable shooting video on your phone rather than a DSLR camera. When it comes time to edit I think moving things around on your phone will be far less intimidating than sitting in front of your computers newly installed editing software with no idea what button to push to even launch it. For this exercise, it’s best to just stick with the phone.
Of course, there is the need for a script. Gasp. Just whip up something compelling, humorous, thought provoking and entertaining. I’m sure some of you can do that but most of us can’t. Not for a lack of desire and drive. Most of us need to be taught how to write and through hard work and dedication get good at it. But in the meantime, we need to just get started. Action begets action! Let’s not worry about writing an award winner, let’s concentrate on getting something on paper or more realistically in your phones note program, might as well. It’s like texting to imaginary friends about made up stuff. Almost like real life. I will say again the goal is to just make something, get the ball rolling. Let’s do this right now.
No use in avoiding it, get to work on the script. Keep it simple our goal is 2-3 mins of content. Think one location and two actors. First, we create a title and a log line. If you were sitting down to write a series or a movie you would not start like this, maybe you would but this will work well for what we are going to accomplish in this exercise. Having said that, here’s a quick example. This is the log line for Steven Spielberg’s ‘Jaws’: A land lubber sheriff tries to kill a giant shark to protect his family and seaside resort town.
Let’s do ours quickly, first thing that comes to mind. There are no wrong answers.
Film Title
Once you got that let’s answer these questions and write a logline.
NAME
We’ll call him/her the Hero
GENDER
FUNCTION
What’s the Hero’s FUNCTION? eg. long distance runner, artist, father etc.
FLAW
Does the Hero have a FLAW? What is it? eg. an arrogant, a lazy, a macho, an insecure etc.
INCITING INCIDENT
What is the story’s first major event, the INCITING INCIDENT eg. falls in love, is fired etc.
GOAL
What is the Hero’s visible GOAL? eg. to win the race, to catch the killer, etc.
NEED
What is the Hero’s NEED? eg. to connect, to stand up for herself etc.
Don’t overthink it, the goal is to make a film to get your dream career rolling. Action begets action, right? Keep in mind you have no budget so a pilot crash landing in the Himalayas is not going to work for this. Here is an example from this worksheet. Title: “ Poison The Tap Dancer Upstairs” Marge Mayhem an emo horror writer plots to poison her upstairs neighbor, an aspiring tap dancer Teddy so she can write in silence and finish her book. You get the idea. If you’re totally stuck remember the exercise is to just get out there and make something. If you want to be adventurous just use a random title generator & a logline generator . Using that method I just randomly generated “Helping McGee” A funny athlete and a gay robot builder travel through time. I’d watch that.
We are just gearing up to make a short with just the title and logline alone you should come up with 2 mins of dialogue. And if that too has you paralyzed with fear just make it with minimal dialogue, not a silent film where nobody talks have natural sounds and a few one liners. With both those examples , can imagine that. And I’d recommend that. For example in “ Poison The Tap Dancer” We see Marge typing, chunks of ceiling fall on her computer she looks up, she says,”humph” we cut to Ted tap dancing around the apartment in pure bliss. You get the idea. May seem silly but just enjoy the act creating something, don’t judge. Its an exercise in getting you started – today.
This next step is important, make sure your phone is charging while you are working on the script. You’ll need it for the next two crucial steps. Step one call a few friends and tell them they are coming over to be in your movie. Or maybe you are going to their house, apartment, roof, yard or basement because it is a better location. Explain to them it is just an exercise and that they will have fun and you are buying pizza. Also I’m sure you have funny, smart friends but just in case they can’t act all the more reason to keep the dialogue minimal. Next and most important is your phone’s camera that you will upgrade the recorder and the editing app you will add. Most camera phones actually shoot pretty decent video, terrible audio but the picture is great. All the more reason to consider a minimal dialogue approach. I think that’s three reasons if you’re counting.
When shooting your first short we can take a very simple but effective approach to make sure you capture all the video you need to tell your story. For each one of your scenes shoot the entire scene in a wide shot, repeat the scene again in a medium shot and finish with a close up or close ups on your main characters. Shoot all the way through to the end, if something minor goes wrong keep going. Some moments may be useful. Even if they are just listening and not speaking record the entire scene with the listening subject in close up. Last pick up inserts, fingers typing, feet walking or running a confused dog perhaps. From our friends at wikipedia. A Wide Shot, typically shows the entire object or human figure and is usually intended to place it in some relation to its surroundings. A Medium Shot, mid shot (MS), or waist shot is a camera angle shot from a medium distance. I’m sure a close up needs no explanation. The reason for that type of coverage is that it is safe. For the actors it allows them to redo lines and you can cut between their best moments from other takes. For the director it gives you many options to tell your story. A film is written three times. First when you write it, second when you shoot it and third when you edit it.
Once you have your footage you need to edit it and yes we will do that on your phone to. One great thing is you don’t have to worry about transferring your video to a computer just do it all on your phone. There are quite a few options, Magisto (iOS and Android) , Adobe Premiere Clip (iOS and Android) , Apple iMovie (iOS) & GoPro Splice (iOS) I’m sure there are others but these are the ones that appear most in searches on the topic. Read up and see which ones suit you and your phone. As I mentioned earlier you should beef up your camera app whether it’s Android or iPhone . I’m sure you will struggle a bit to get up and running but that’s part of the process.
Just keep Going. Upload your video to your social media get input from your friends and start planning your next project, I promise you with each one you will get better. Maybe you nailed it this time in which case with your next video you will get, more better. Finally as we both well know by now, action begets action.
Be sure to subscribe and follow my video channel for more Sci Fi filmmaking How To.
Create SCI FI 