GALACTIC GALAXY: EPISODE ONE

In Galactic Galaxy episode one Space Werewolf Fen, Pam Redcup and her agoraphobic mechanic Tom must escape the evil Dar Kuzar who has become enraged with his button technicians. “THE JOURNEY OF A THOUSAND PARSECS BEGINS WITH WITH A SINGLE PARSEC”

Featuring Jeff Lewis who played the beloved character Vork in Felicia Day’s “The Guild” & Julia Morizawa who plays Dr. Bright from the wildly popular podcast “The Bright Sessions.” The writing team included Charles Horn, writer on the first “Robot Chicken: Star Wars” special.

GALACTIC GALAXY is an irreverent space saga filled with action, suspense, and a healthy dose of the absurd. It is the story of a Space Werewolf named Fen who teams up with a Space Trucker named Pam to rob an illegal space disco in order to fulfill his destiny and save the Galaxy.

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Comedy Sci-Fi

Created & Directed by Anthony Ferraro

Featuring: Jeff Lewis, Rhomeyn Johnson, Daniel Kusunoki, Jonathan Castile, Julia Morizawa, Bobbie Breckenridge & Geoffrey Gould

NEW SCI-FI WEB SERIES CHANNELING CULT CLASSICS HEAVY METAL AND KUNG FURY FEATURING JEFF LEWIS OF THE GUILD LAUNCHES THURSDAY JUNE 14

Galactic Galaxy, created by Anthony Ferraro, is a hilarious, action-packed adventure in space.

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“I finally achieved all my goals in life…in one show: playing a sci-fi villain who snorts lines, in a series that looks like a comic book.”-Jeff Lewis, Actor The Guild

Galactic Galaxy is an irreverent sci-fi comedy web series like no other. This rotoscope style space odyssey, in the spirit of the cult classic 80’s film Heavy Metal, was meticulously crafted by creator and director Anthony Ferraro.

The talented cast features Jeff Lewis (Vork in Felicia Day’s The Guild) and Julia Morizawa (Dr. Bright from The Bright Sessions). The writing team includes Charles Horn (Robot Chicken, Star Wars Special) who said about the series “Anthony has a unique visual style that I haven’t seen before.” -Charles Horn, Writer Robot Chicken, Star Wars Special

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Galactic Galaxy follows the epic journey of Fen, a space werewolf who teams up with non-nonsense space trucker Pam Redcup to rob an illegal space disco and fulfill his destiny to save the galaxy. What is particularly distinctive about Galactic Galaxy is the graphic novel look of its video production. By combining live action performances with 3D sets and landscapes the show evokes the comics of the 70s and early 80s. Galactic Galaxy is a love letter to the sci-fi saga genre, filled with action, suspense, and a healthy dose of the absurd.

“Anthony’s creative abilities have brought to life a style not often seen in the digital series world,” -Suzette Laqua, Executive Director of Vancouver Web Fest

“I love that Anthony is tapping into the sci-fi fandom without being cliche and of course, adding humor into the mix is always a welcome change from overly serious dystopian dramas!” -Sarah Penna, COO of Frolic Media & Co-Founder of Big Frame

Episode one of Galactic Galaxy will be released on YouTube on June 14, 2018 :

CLICK HERE TO WATCH GALACTIC GALAXY ON YouTube

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How To Make Sci-Fi Trooper Armor: Easy Step By Step Tutorial

In this tutorial, I take you through my easy sci-fi trooper armor costume/prop build process step by step using simple techniques and tools. I show you how to make a unique screen ready sci-fi trooper armor inexpensively.

Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up

How To Make A Sci-Fi Trooper Helmet: Easy Prop Making Tutorial

In this tutorial, I take you through my easy sci-fi trooper helmet costume/prop build process step by step using simple techniques and tools. I show you how to make a unique screen ready sci-fi trooper helmet inexpensively.

Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.

How To Make A Sci-Fi Staff Weapon For Under $10: DIY Dollar Store Mash Up

In this tutorial, I take you through the build process step by step. With a few items from a dollar store, I show you how to make a screen ready sci-fi prop staff weapon for under $10.

Be sure to watch my video channel for more Sci-Fi filmmaking giddy-up.

From Trash To Blast! How To Make A Sci-Fi Recycle Bin Laser Blaster Gun

Any good Sci-Fi project is going to need a Blaster, Laser Gun, Ray Gun, Photon Rifle, the list goes on. There are many ways to go about making these weapons for your sci-fi arsenal be it for a film, a cosplay or simply for display. In this article, I want to share with you an inexpensive and fun solution. I’ve come across a lot of craft builds with recycled plastic bottles lately and I thought hey, I have an overflowing recycle bin with a  bunch of material for some Blaster building so I figured I’d give it a try. Here I’m going to share with you what I came up with.

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First I dug into my recycle bin and found some bottles that were interesting and got out some tools.

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I roughly arranged some silhouettes for my recycle bin blaster and this was the winner.

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I start by cutting the bottom off of the water bottle.

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I merge it with a ridged chip container.

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I cut off the top of a cleaning bottle to make a hand grip. I saw that in some online video and it stuck in my head, it’s very clever and works nicely. I hot glue these parts together.

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What I learn here is that the hot glue melts this plastic bottle that is my barrel which was not what I wanted. I had to cut off the damaged excess and I decided to take this opportunity to add some more dimensions. I added a hand soap bottle as a collar that I slid over the damaged area and that cleaned it up and looked good. A happy accident as they say.

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Then I add the trigger. I simply repurposed the trigger from the cleaning bottle. To make it fit I rough out a hole in the handle with a Dremel tool to pressure fit this trigger in the handle. You could also cut a hole with an Exacto blade. It is not a practical trigger so I just secure it in place with glue.

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Next up is a spent deodorant bottle added to the top as some sort of scope. Also, I add the ball from the deodorant model to the bottom of the handle and this interesting sports bottle cap finishes off the profile nicely.

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Everything gets a light sanding so it will better accept the paint.I base coat it with a flat black primer and just dusted it a little bronze over that.

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Painting is done with a dry brush technique. Using a metallic paint with a very light amount on the brush that is further lightened by brushing onto a paper towel. The paint is applied by just lightly brushing the surface and a brushed metallic look is achieved. To add some dimensionality I add some gold metallic by extra lightly brushing the high points and that gives it a nice glow. The final touch is introducing sparse green metallic highlights in places that might be buttons or decorative just to give it a little more life.

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To make the Blaster look real and to give it some character a weathering pass is needed. That is simply some watered down brown and black paint that is washed over the entire piece. It is then quickly wiped off with a paper towel.  The dark wash remains in the low points, cracks and crevices, this gives it the illusion of being an actual object.

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Who knew space blaster hiding out right in my recycling bin! Now if I was doing a sci-fi project and I wanted to suspend your disbelief make you believe it was a real future or a parallel universe I probably wouldn’t use this prop Blaster. However, if I was doing a sci-fi fantasy like a Barbarella or a comedy this is exactly what I would use.

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The Look: The Galactic Galaxy Production Diaries

This week I want to talk about the look of my web series Galactic Galaxy. What really makes Galactic Galaxy unique and frankly me proud is the graphic novel treatment. Most often it is compared to The 80’s epic cartoon Heavy Metal. Which is a happy accident or maybe not I actually saw that movie in the theatres? I’m pretty sure we snuck out of The Great Muppet Caper and into another time and space… I digress. Many of my SciFi influences for the show are from The early 80’s Heavy Metal Comics or Metal Hurlant when it was first released and featured Mobius and my favorite Philippe Druillett, so though it was unintentional, it certainly makes sense.

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I did lots of research on how to technically turn live action into illustration, the most obvious was Rotoscoping. Rotoscoping is an animation technique used by animators to trace over footage, frame by frame. The most influential for me was 1977 Wizards by Ralph Bakshi but that was very basic and more of a Broll filler. But like Heavy Metal an indispensable influence. I would not exist without those movies. More recently were the beautiful movies from Richard Linklater, Waking Life and A Scanner Darkly which are beautiful. Bob Sabiston is the man responsible for that work and it is stunning. So much so that it is the other end of the spectrum, the time money and sheer artistry behind that method was well beyond my means

maxresdefaultI used to say back to the drawing board but what is more accurate these days is, back down the google rabbit hole. I started looking into DIY desktop solutions from great resources like Red Giant and Video Co-Pilot. Shout out to Andrew Kramer, once you start to learn about SciFi DIY you can probably trace 80% of it to his tutorials. I was not able to find exactly what I needed so I started to cobble together bits and pieces from various resources until I came up with something that might work in theory. After some initial tests, I was able to come up with something that would work for my budget and not compromise my vision.

The basic process I came up with was a combination of online tutorials, some basic software and a year of trial and error. In essence, I Shoot on green screen and then key out the live action (remove the green). Then I apply a series of filters that turn the actors into an illustration. To add depth and movement a virtual film camera is introduced via Adobe After Effects to combine the 2D live action with a 3D background. To really sell this look I add very subtle camera moves and a few other subtle tweaks with film grain and lens flares.

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In the end, it is a lot of work for a primarily DIY production. Many long hours were put into the creation of this show and I cannot wait to show you the end result. Be sure to subscribe and follow my video channel for more Sci-Fi filmmaking How To.

Concept Art: The Galactic Galaxy Production Diaries

From the very first moment I had the idea for my Sci-Fi web series Galactic Galaxy, I was more passionate and driven to make it a reality than any other project I’d conceived. I’d talk to anyone who would listen to keep the momentum going. The thing you learn quickly with sci-fi is it’s hard to explain it to someone. They really need to see it. To convince people to work with me on my idea and to generate any real interest, I realized I needed some concept art.

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Initially, I would say to potential collaborators, “There are These Snail Warriors and a Wizard” every time they would smile uncomfortably and nod.  But, once I had the concept art, they would get visibly excited. For me, armed with the concept art, one: the ball was rolling two: in a very basic way, I was beginning the process of creating the show. I teamed up with a great local artist in LA named Farron Kerzner and he started bringing my imagination to life.

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We started with the Space Wizard and the Dar Kuzar who was simply called the Dark Lord then. Some of the early designs changed and some stayed the same.

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The IF3 or Interplanetary Federation Female Force,  went through several stages of development before the final look was achieved.

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The Queen originally in my mind was Cher from the 1986 Oscars and Faron drew these beautiful Costumes. In the end, she went another direction but the art was key to set things in motion.  

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My beloved Snail Warriors (sigh) My original Idea was for snail warriors as the Dar Kuzars army. But that was another practical use of the concept art. Once I shopped around the drawing of the costume I soon learned I would never ever on a low budget be able to afford the costume build. Which lead me to rethink the characters and I came up with the skull warriors. However, creating those Skull Warriors was vital in getting me to the next step. It was my first of many creative solutions.

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The concept art was key in starting my journey to realizing my show. When you have an idea for a show no one can stop you from writing it, that costs your time. Before you have the budget to make your project if you are passionate enough about the idea you can spend a few hundred dollars out of your own pocket to tease it into the world. In my experience when you’re emailing or having lunch with potential collaborators or investors they begin to take you seriously when you start showing them concept art.

Be sure to subscribe and follow my video channel for more Sci-Fi filmmaking How To.

From Trash To Blast! How To Make A Sci-Fi Recycle Bin Laser Blaster Gun Video

In this tutorial, I take you through the build process step by step. I show you how to make a screen ready Sci-Fi Blaster Gun from recycled plastic bottles.

Be sure to watch my video channel for more Sci Fi filmmaking giddy-up.

My Three Year Journey Into Creating Sci-Fi Has Only Just Begun

I have been working on my sci-fi series Galactic Galaxy for almost three years now. It’s funny to say that because I clearly remember the circumstances in which I got started. It was only supposed to be a one-month time investment.

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I have been a storyteller for almost thirty years now. I started in theatre and later transitioned into film. I have always gravitated to Art House type offerings and as I became more serious about my craft it became harder and harder to make a living with my chosen genre. I was initially trying to emulate Jim Jarmusch. I think a few of my films came close and I’m proud of them all but none of them broke out. It was not my authentic voice.

A few years ago it occurred to me the while I was trying to make films like Jim Jarmusch and follow in the footsteps of Dogme 95 that fact was in my downtime all I ever watched was SciFi and Fantasy. If it involved swords or Laser Blasters I was riveted. I decided to go back to square one and just start making what I enjoyed. It was thrilling. I was bursting with ideas and had the benefit of 20 years of experience to have some pretty clear ideas of how to bring these ideas to life on a budget. I always work on a tight budget.

Which brings me back to that moment when I started Galactic Galaxy. I remember sitting down in a coffee shop to write. My intention was to write a sci-fi web series, something funny and short. Six episodes a few minutes each. I was surprised by the number of ideas and the deep understanding of this genre that was inside me right under the surface. The dam broke and I just kept writing and writing. It was thrilling because it was effortless. Well, almost, it is a grind to write for sure but, I was being swept up in it.

That spark generated a 120-page script, not quite the short I had in mind. Later I worked with a team of writers I organized to reduce it to its essence. I ended up with six short webisodes. Prior to filming, I wrote a short film from the 120-page script to shoot as a proof of concept. That was supposed to take a few months, it ended up taking one year to finish. During that year I set to work raising the funds for the series. I spent the following year producing and filming the series. Then another full year in post-production.

At the writing of this I am finished and yet the journey of educating myself about distribution has just begun. I am reaching out to traditional networks, streaming networks, online networks and constantly emailing teasers to film festivals that can potentially help me move forward. I  suspect this will take another year.

What I have come to discover is that while I am immersed in the creation of my show I am immersed in a mild satisfaction. I say mild because I’m always striving to be better but it’s satisfying to be on a journey of your own invention. I certainly have stressful moments but stressing out about if you can really afford to shoot for 4 days instead of 3 is much different then stressing out about what are you doing with your life.

If you ever meet me I am that guy who makes sci-fi. I am that guy because three years ago I sat down in a coffee shop and decided to make something and be that guy. People do that every day, the difference is when you wake up the next day and start. For me, it was Sci-Fi for you maybe Fantasy or Horror the trick is to just work toward it every day and realize it could take 3 years and for your sake I hope it does. Because during that time you will become your imagined self.

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